Character Card Movie Review

  • Rating – 4/5
  • Genre: Drama, Political Satire
  • Cast: Tia Bajpai, Prashaant Kumar, Furqan Merchant, Vipin Sharma, Brijendra Kala, Saurabh Shukla, Shoib Kazmi and Raghubir Yadav
  • Director: Rahat Kazmi

Story

Kashmir, without the William Shakespeare ‘tadka’ that Vishal Bhardwaj is going to release on the clueless crowd – that is the world possessed by debutant chief Rahat Kazmi’s little huge film around three guiltless regular people who get got by the Special Task Force in Srinagar.

What follows is a bad dream of Shakespearean extents! (Oh no, there we go! There’s no escaping from Shakespeare in the Valley of the Dal, right)

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Rahat Kazmi makes practically intolerable strain inside the limits of the space where the three unfortunate casualties – a wannabe TV columnist (Tia Bajpai), her Kashmiri Hindu companion Ajay (Furqan Merchant) and a hapless neighborhood visitor control Raju (Shoib Kazmi, don’t miss the tribute to Vijay Anand) are clustered in a feverish ceremony of absurd cross examination.

Twist

The story is immensely stagy. Words qualify the show. The composed line is rarely crossed. What keeps our advantage level from hailing is the cornucopia of dependable characters made by on-screen characters who recognize what they are doing and saying. The Special Task Force is all around done, sufficiently commanding to make them look human and practically defenseless in their franticness to get admissions out of speculates who might possibly have anything to be associated with.

These cops are on a marvelous frenzy – savage in their aspirations to film up their senior’s grievance books however hesitant to convey the exploitation excessively far. Saurabh Shukla (with his immaculate Kashmiri pronunciation) and Brijendra Kala as quarreling cops are consistently brilliant. Entertainers, for example, these two bring to the table a propping earnestness to what could without much of a stretch become a tedious duel of talking points and lessons.

Songs

There’s an arrangement outside a mosque where both these entertainers disclose to each other and to themselves why they think that its difficult to keep their soul alive as the Valley copies. There is sheer virtuoso grinding away between these two entertainers. Such minutes permit us to neglect to film’s glaring shortcomings such a wretched foundation score, lopsided camera work and sudden altering which here and there leaves the account panting for breath.

However, at that point, there is such a lot of warmth and certified worry for the loss of humanism in Kashmir that this film leaves us with.

Performances

Vipin Sharma as the senior-most cop gets into his character without breaking a sweat of a professional. His character is the most risky, as its diagram goes from disgustingly tyrant to something verging on the sympathetic. Be that as it may, the astonishment is Prashanth Guptha.

As the lesser most and in this way intentionally the greatest domineering jerk among the khaki cross examiners, Guptha’s eager non-verbal communication, his noisy murmurs on the telephone with his recently marry spouse who needs to go on a special first night, are unnervingly sarcastic in a film that hits us with the troubling truth of Kashmir’s declining confidence in administration.

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Conclusion

Think burial services, not special night, Prashanth Guptha’s senior reminds him.

In a film swathed in the atmosphere of a fate there are flashes of gigantic diversion and warmth. A daring strong interesting touchy spine chiller. Unequivocally suggested.

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